The portrait of an author through his work, a look at contemporary art.
Heiner Goebbels, composer and director, working on his latest play "Stifters Dinge" (Stifter’s Things).
A theatre without actors, or dancers, nor musicians ... ? And nonetheless, we are here confronted with performing arts, a place where machines and objects obey their own laws and neither embody nor in any way replace the actor. An experience of time, of space, of "things" given to the spectator through various forces: oppositions, tensions, harmonies, distortions, and resonances, manufactured by very peculiar machinery and tools.

Stifters Dinge, or how Heiner Goebbels, in his last performance, creates "see" and "hear" differently, freeing the viewer from the narrative grip of conventional theatre
Bringing together the voices, songs, dialogues of the characters that have today disappeared, pioneering ethnological recording such as those of Rudolf Poch, allowing the materials alone to say what they have to say, offering the viewer an adventure in image and sound. Stifters Dinge, or how a visual and sound system, entirely computer driven, can now have its place in a theatre.
Artist in residence at [ars] numerica from 1 February to 13 February

Partner
Annexe 8, Besançon